Of the French feature films that will be shown this year in Brazil, eight are comedies. In early April, they premiered at the Varilux French Film Festival, which brought 100,000 spectators to 70 screenings in 45 Brazilian cities. The star of the event and the season is the comedy Me, Mom and the Boys, starring and directed by actor Guillaume Gallien. Make a visit to https://free-123movies.com/ and come up with the best deals.
The Movies in Brazil
The movie went on sale in Brazil on May 1st, already with a brilliant career. It has been a box office hit in Europe since its debut in November 2012 and has won several awards, including Cesar, the largest in French cinema, in five categories. He marks the debut in the direction of Gallien. At 42, Gallien has made a career as an actor and belongs to the venerable company Comédie Française. The movie is autobiographical. It makes the portrait of Gallien when young. His mother was sure he was gay and raised him accordingly.
It encouraged him to relate to boys. In the course of his attempts, he perceived himself as heterosexual and assumed himself. Today he is married to a woman Amandine and has a son. The story became a play in 2008 and raged on the Parisian stage. Gallien also shines in the film Yves Saint Laurent, which is being screened in Brazil and a candidate for the Palme d’Or in Cannes this year as Pierre Bergé, Saint Laurent’s partner. “I never said I’m not gay,” says Gallien. “I like both genres. But I live a heterosexual life. ”In Me, Mom and the boys, he takes a tour de force: he lives both himself and his mother. Critics praised the film as a rare moment when humor joins the game of ideas.
The politics and the figures of an Oscar campaign
This is another example of the excellent phase of French comedy. Its influence is such that even a grumpy filmmaker like Bertrand Tavernier, 72, has decided to make his first film in the genre: The French Palace, about a lunatic French Prime Minister who hires a ghost-writer to write his speeches. It’s a scam that satirizes the Parisian bureaucracy something unthinkable years ago when the cinema was held by the government.
Nothing escapes the new comedy, from ambiguous sexuality to France’s secondary role in world politics. There is still the slowness of her judiciary in A Judge Without Judgment, and the prolonged adolescence to middle age in A Love in Paris, about a couple in crisis starring Isabelle Huppert, and Great Boys, who follows the adventures of a young man and his father-in-law.
New Crop Successes
The new satirical verve of French cinema is based on one reason: it no longer depends on the state as it once was, and this has improved box office performance. With the encouragement of television channels, former refugee comedy films gain greater support and space. “Since 1985, a law has forced open TV channels to participate in the production,” says director Jean Marie Laurier of Love is a perfect crime. “They have chosen films that match advertising. Comedies have been fitting into that role. ”The result of the TV-studio double was evident in 2012 when French cinema recorded the biggest international ticket sales in its history.