In today’s society where animated films have a huge impact on society, the research of this subject on the study of color in animated films is an important part that animators cannot ignore, and will play a positive role in the further innovation and development of animated films. This thesis uses the methods of literature retrieval, case studies, and comprehensive analysis to guide the knowledge in the fields of cinematography, color science, aesthetics, semantics, and pragmatics, and combines a large number of examples of animated films to identify the aesthetic characteristics of animated film colors and ideographic functions for systematic research and elaboration. You can log on to https://gogoanime.digital/all-tv-series for the best results now.
The Right Color
This dissertation takes color as the visual language of animated films for an in-depth study from the category of aesthetics and analyzes how to understand the aesthetic value, role and meaning of animated film colors in the creation. The author first researched the unique connotation of the color of an animated film and proposed that the color of an animated film is a flowing color, a translucent picture composed of colored light, which has the uniqueness of time and space interlaced. Its attributes include natural attributes and cultural attributes.
The special aesthetic characteristics of color in animated films
Its aesthetic characteristics can be summarized as:
- Enhanced modeling
- Style diversity
- Light-color-shape interaction.
At the same time, the author puts forward that the more important significance of the color of animated films is that it has a unique visual language ideographic function. The ideographic functions of animated film colors include:
- The symbolic and metaphorical functions of animated film colors
- The narrative function of animated film colors
- The spatial expression function of animated film colors
- The temporal expression function of animated film colors
- The emotional expressive function of animated film color.
Finally, this paper studies the unique meaning of the color of animation films of the “Chinese school” in the animation circle in the 1960s. The aim is to carry forward the application of the color concept of traditional Chinese aesthetics in the color of animated films and to research and explore the development and improvement of animated films and film colors in China.
How to make anime?
Many teens dream of starting to create personal cartoons or at least manga. The style is unique, with a few features: beautiful appearance, flexibility in use and endless possibilities. Unfortunately, you immediately understand how to make the anime does not work, because it will take many years of study, if, of course, you want to become a professional artist. As for the simpler features, you can master the process of drawing art and simple images. This direction has a lot of features, so in the beginning, you should pay attention to the style itself.
The style of universal art
How to make anime? Usually, it is impossible to answer such a question immediately, because this direction depends on creative inspiration. If you pay attention to the Japanese artists who paint the manga, then you can see certain characteristics of each one. Someone tries to draw a detailed environment. others create simple sketches, etc. The style of the drawing does not have a specific pattern, and the creative person who does this personally defines the form and methods of creating such graphic content. But this does not mean that there are no ways to learn the process of using anime styling.